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Written by Don Berryman
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Wednesday, 27 August 2008 |
 © Howard A. Gitelson Happy Apple is a locally grown freebop jazz trio with a devoted fan-base in the Twin Cities and a cult following worldwide. Happy Apple bring humor and their eclectic music to the venue in the basement of the Artists' Quarter for what promises to be an exciting weekend of new music Friday, August 29th through Sunday, August 31st. A long-time Artists' Quarter favorite, Happy Apple was formed over ten years ago in Minneapolis, members of the band are David King (drums), Michael Lewis (saxophones) and Erik Fratzke (electric bass). All three members compose music for the group which places equal emphasis on improvisation. Happy Apple draws on several other genres; the group's members play in other bands ranging from indie rock and heavy metal to free jazz and electronic. The best known of these is The Bad Plus, in which King also plays drums. Dave acts as the emcee for Happy Apple as from the behind the drum kit he announces the tunes and frequently breaks into what could almost be a stand-up comedy act. But the music is no joke - these are highly skilled musicians who are serious about music, but never take themselves too seriously."There's a small subgenre of bands right now that are making a tricky but inevitable connection: the combustible energy, sardonic attitudes and harsh, crackling timbres of indie rock and the musicianship, improvisational logic and humanism of jazz. ... [ The Peace Between Our Companies (2005)] comes in like a lion with 'Starchild Cranium,' but that full-on clank has nothing to do with the serenity of the winding ballad 'Ella by Nightlight,' near the end. It's nice to hear a band with such radically different dispositions". - New York Times |
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Written by Ronaldo Oregano
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Saturday, 16 August 2008 |
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 Jim Rothermel The Bach Dancing & Dynamite Society in Half Moon Bay will present the Jim Rothermel Swingtet on Sunday, August 31st from 4:30 to &:30 PM. The Jim Rothermel Swingtet (formerly known as Neoclassic Swin) plays the great music from the classic Big Band Era, 1935-1945. While the group's music also reflects more modern influences, it draws primarily from bands such as Benny Goodman, Artie Shaw, Duke Ellington, Charlie Barnet, Woody Herman and Count Basie. Some of the musicians who have performed with the Swingtet are: Shota Osabe, Ron Borelli and Larry Vuckovich, piano; Al Obidinski, Steve Hanson, Blake Richardson and Jeff Neighbor, bass; Bil Nawrocki, Dave Black, Jim Zimmerman and Tony Johnson, drums; and Glen Deardorff, Jim Putman and Duncan James, guitar. With leader Jim Rothermel performing on saxophones and clarinet with Noel Jewkes (saxophones & clarinet), Steve Campos (trumpet & flugelhorn), Larry Vuckovich (piano), Al Obidinski (bass), Tony Johnson (drums), and a Trombone player to be named. |
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Written by Andrea Canter, Contributing Editor
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Tuesday, 26 August 2008 |
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 Avashi Cohen
“...a transcendent example of the capacity of music...to reach beyond geographical and political boundaries ...” --Don Heckerman, The Los Angeles Times The acoustic bass is not generally perceived as one of the leading voices in a jazz ensemble. Horns and pianos, sometimes percussion and guitars, garner more attention from an audience and even from critics. Yet the bass is critical to the pace and rhythm, and in the right hands, can be an elegant and forceful solo instrument as well. Historically, despite their instrument’s low profile, some of the genre’s most lauded visionaries have been the bassists—Charles Mingus, Dave Holland, Jaco Pastorious, Ray Brown, Ron Carter, Charlie Haden, Stanley Clarke, Gary Peacock, Christian McBride. Add to this list Avishai Cohen, an Israeli composer, bandleader, bassist and (sometimes) pianist (not to be confused with the trumpeter of the same name) with a growing reputation for music that fuses Latin and Middle Eastern folk melodies with modern jazz structures. Now on tour in support of his ninth release, Gently Disturbed, Cohen should solidify that reputation and confirm Downbeat’s designation as “a jazz visionary of global proportions.” In Manhattan, you can hear this for yourself at the Blue Note this weekend, August 28-31. |
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Written by Ronaldo Oregano
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Sunday, 24 August 2008 |
 Ted Nash © Andrea Canter Ted Nash a three-time Down Beat “Rising Star” on both tenor and alto saxophones, and a crucial contributor to the Lincoln Center Jazz Orchestra and the Jazz Composers Collective, will bring his stellar quartet to teh Jazz Standard on Tuesday, August 26th through Thirsday, August 28th. The quartet features Ted Nash on reeds, Frank Kimbrough on piano, Ben Allison on bass, and Matt Wilson on drums. Ted Nash is celebrating the release of The Mancini Project on Palmetto Records. This collection, as entertaining as it thought-provoking, draws on composer/conductor Henry Mancini’s rich repertoire of movie themes and songs—including “Something For Nash,” which Mancini wrote as a feature for Ted’s father, trombonist Dick Nash, on the soundtrack for the 1987 Blake Edwards film Blind Date. Ted's other recent projects include collaborations with the Augusta Ballet, Zenon Dance Company, and the Orquestra Jazz Sinfonica in Sao Paulo. |
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Written by Andrea Canter, Contributing Editor
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Sunday, 24 August 2008 |
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 Roy Haynes with David Wong©Andrea Canter
“As 'Fountain of Youth' so exuberantly captures, Roy Haynes is one of the seven wonders of modern jazz." --Dan Ouelette (Billboard) If there is an “Energizer Bunny” of jazz, it has to be drummer extraordinaire Roy Haynes. At an age when even jazz musicians tend to slow down and take it easy, 83-year-old Haynes has done the opposite, revving up his engines with his latest “Fountain of Youth” quartet—so aptly named for its leader, issuing volcanic recordings and traveling cross- country to share the beat. One of the most dynamic timekeepers in the business, Haynes’ career mirrors the history of modern jazz as one of the last of the great innovators of the 1940s who is still pushing the genre forward in the 21st century. Few—if any-- working musicians in 2008 include the bands of Louis Armstrong, John Coltrane, Miles Davis, and Dizzy Gillespie on their resumes; but some of today’s hottest rising stars are graduates of the “Academy of Roy Haynes.” Celebrating the 3-CD/DVD retrospective release of A Life in Time, Haynes and the Fountain of Youth are on tour this summer, with a final summer gig at Dizzy's Club Coca Cola at Jazz at Lincoln Center in Manhattan, August 27-31. Throw in Roy’s new persona as “DJ” for the video game, Grand Theft Auto IV! |
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Written by Andrea Canter, Contributing Editor
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Friday, 22 August 2008 |
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 Christian McBride©Andrea Canter “This [2007] was one of the best festivals in a long time! It was great to have a jazz festival actually present America’s classical music.”– Regina Carter, jazz violinist and 2007 Artist in Residence The largest free jazz festival in North America brings a long list of acclaimed performers and local standouts to six stages when the 29th annual Detroit Jazz Festival gets underway on August 29th. “A Love Supreme: The Philly-Detroit Summit” celebrates the music and musicians of Motor City and the City of Brotherly Love, under the direction of Artist-In-Residence and monster Philly-born bassist Christian McBride. Taking over downtown Detroit, the festival will stretch from Hart Plaza to Campus Martius, with Woodward Avenue in-between transformed as a pedestrian corridor. A broad range of music will be incorporated into the weekend, with blues, gospel and R&B sprinkled among one of the world’s most high-powered list of jazz acts. The nonprofit festival is supported in large part by an endowment from Mack Avenue Records. |
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Thursday, 28 August 2008
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